GOODNIGHT LADY – Martina Cole/Headline – 1994
I found this book in the 48-cent bin and wish I had sprung for the dollar aisle. This tale of an Irish family’s solidarity in the East End of London is really a batch of treacle.
We encounter the protagonist, Briony Cavanagh, as a child living in squalor with a drunken father and passive mother. After seeing her sister’s change in lifestyle as a result of being sold to a wealthy pedophile, she is jealous. When her sister outgrows the needs of the predator, she is anxious to take the place of her now-troubled sister. Briony is delighted by her new status as a well-fed, well-groomed girl and has no qualms that she is involved with Henry Dumas, a married man. After all, she is being cared for in a private home of her own, with two servants to boot. At the age of 13, her son has been delivered and Dumas’s childless wife insists on raising the child as her own. Dumas develops an immediate hatred of the child and Briony, but allows her to continue living in the house with the servants. During her pregnancy, she is befriended by Tommy, a budding hoodlum. They develop a lifelong relationship as they build their prostitution empire.
Intertwined with this tall tale, we are brought into subplots involving Briony’s sisters, the most titillating of which involves her sister Kerry, a talented sister on her way to stardom. Kerry falls for a black American musician and gets pregnant. Briony uses her gangland friends to break the musician’s hands and convince him to head home.
I will not go int0 the other strands of this yarn for obvious reasons.
Starting with the preposterous title, GOODNIGHT LADY is pure pulp fiction and her strong female character is not at all likeable. But what do I know? The cover calls it a sensational bestseller!